[o][v][ ][p] <fictional play="who am i?"> battle stars, series nr.01
[o][v][ ][p] <didactic animation="the remission"> the educational advertising, series nr.02
[o][v][ ][p] <reality roadmovie="tour de brandenbourg"> the collected experiences, series nr.03
[o][v][ ][p] <research documtentary="pain[ed]"> the personal experiences, series nr.04
[o][v][i][p] <guerilla action="we want you!"> client fishing & catering
[o][v][ ][p] <staged play="klaus sprichts aus"> sitcom [short] stories
[o][v][i][ ] <staged presence="she saved the world – a lot"> vampire video project
[o][v][i][p] <staged presence="the time of heroes is gone"> the revue for postheroic management, action nr.01-02
[o][v][i][p] <guerilla action="sinking heroes"> a short postheroic tale, action nr.03
[ ][v][i][p] <guerilla action="freshly pressed heroes"> interaction with a magazine launch, action nr.04
[ ][v][i][p] <staged event="club de la revue"> the open house
[o][v][i][p] <internet presence="be careful – watch your head"> world wide [bureau]web space
[o][v][i][p] <internet presence="me, in details"> a personal life map
[o][v][i][ ] <mobile presence="the mobile remission"> a h[app]tic aid study
[o][v][ ][p] <snippet-spots="digital workout"> series of the bureau buisness
[o][v][ ][p] <performance video="if nature insists"> about nature v.s. science
[o][v][ ][ ] <digital teasers="lunettes"> the "sucess"story lookbook
[o][v][ ][p] <staged animation="perseus"> a heroic word map
[ ][v][ ][ ] <text sampling="kompetenz kompetenz"> political speech play
[o][v][i][p] <crossmedia task force="table ´n´ tennis"> creative ping pong between fiction & reality
[o][v][i][p] <bureau for performative communication="difficulté wänkü"> transdisciplinary brand solutions
[o][v][i][p] <creative conception lab="exclusive web space"> entry is by invitation only!
[ ][v][i][p] <transdisciplinary performance="the third generation army"> a fictional "terrorist" image
[ ][v][ ][p] <staged installation="rest.less"> what is home?
[ ][v][ ][p] <staged installation="threehundred warlords"> a "small" bourgeois world[war]
... or the smashed bourgeois law & order
<kind of play> head of creative concept & designs </kind of play> <playhouse> state theatre of braunschweig, schauspielhaus </playhouse> <stage> romeo & juliet - william shakespeare </stage> <switch language="english"><story> Eine Stadt. Zwei sich hassende Familien. Die Montagues und die Capulets. Es herrscht Bürgerkrieg zwischen den beiden „Gangs“. Die Tragödie nimmt aber erst richtig ihren Lauf, als aus den jeweils verfeindeten „Häusern“ sich Romeo und Julia ineinander verlieben, was zu einer Kette von Missverständnissen zwischen den "Warlords" führt und eine neue Blutspur nach sich zieht. Die Rauminstallation macht diese Unfähigkeit eines menschlichen Miteinanders zum Konzept. 150 Stühlen stehen 150 Stühlen gegenüber. In Reih und Glied. Blutrot. Eine „Welt“-Ordnung, in der jeder seinen angestammten Platz hat. Ohne romantischen Balkon oder opulente Maskarade. Romeos und Julias Versuch, mit ihrer Liebe diese festgefahrenen Reihen aufzubrechen, verursacht Durcheinander. Die „Klein“-Bürgerwelt kommt ins Wanken und wird schlussendlich als Bild der Verzweiflung und der (un)sterblichen Liebe durch Romeo „zur Seite gefenstert“. Dass dies unweigerlich zum Tod des Liebespaares führt, ist schwarz auf weiß schon lange "Welt"literatur. </story>
<story> One city. Two families that are hating each other. The Montagues and the Capulets. A civil war is raging among these two "gangs". The tragedy, however, really takes its course, as Romeo and Juliet, who each belong to one of the rival "houses" are falling in love with each other, leading to a chain of misunderstandings between the "warlords" and entailing a new trail of blood. The roominstallation is conceptually based on the this inability of human interaction. 150 chairs are facing 150 chairs. In rank and file. Blood red. A "world" order in which each and everyone one has his/her/its rightful place. Without any romantic balcony or opulent masquerade. Romeo and Juliet's attempt to break up these deadlocked rows by the force of their love causes confusion. The "small" bourgeois world is beginning to totter. As an image of despair and the (im)mortal love it is finally "windowed to the side" by Romeo. That this inevitably leads to the death of the lovers, has become a part of "world" literature (in black and white) a long time ago. </story>
[ ][v][ ][p] <staged play="smells like teen spirit"> the sweat of youth
